Peniche is shaped from limestone and exposure. Karst rock cut by water, cracked by salt, hollowed slowly from the inside.
The landscape feels porous, unstable, always in the process of becoming something else. Cavities, channels, sudden voids. What you see is not surface, but time made visible through erosion.
PENICHE
KARSTIC VOIDS
PENICHE
KARSTIC VOIDS
ELEMENTS COLLECTION: PENICHE
39°21'11"N 9°23'16"W
São Paio is a brutal and beautiful place. A granite headland pushed into the Atlantic, exposed to wind, salt, and long cycles of impact.
These forms come from a place of impact. Atlantic swell, wind, salt, repeated over time. The geometry is direct, surfaces are pushed in, not decorated. Nothing is softened by hand, like the headland itself.
SÃO PAIO
BRUTAL BEAUTY
ELEMENTS COLLECTION: SAO PAIO
41°16'53"N 8°43'53"W
Peniche is shaped from limestone and exposure. Karst rock cut by water, cracked by salt, hollowed slowly from the inside.
The landscape feels porous, unstable, always in the process of becoming something else. Cavities, channels, sudden voids. What you see is not surface, but time made visible through erosion.
PENICHE
KARSTIC VOIDS
ELEMENTS COLLECTION: PENICHE
39°21'11"N 9°23'16"W
MIA
WITH MIA BENITA
MIA COLLECTION
MIA:SOMETIMES
Peniche is shaped from limestone and exposure. Karst rock cut by water, cracked by salt, hollowed slowly from the inside.
The landscape feels porous, unstable, always in the process of becoming something else. Cavities, channels, sudden voids. What you see is not surface, but time made visible through erosion.
PENICHE
KARSTIC VOIDS
ELEMENTS COLLECTION: PENICHE
39°21'11"N 9°23'16"W
Peniche is shaped from limestone and exposure. Karst rock cut by water, cracked by salt, hollowed slowly from the inside.
The landscape feels porous, unstable, always in the process of becoming something else. Cavities, channels, sudden voids. What you see is not surface, but time made visible through erosion.
PENICHE
KARSTIC VOIDS
ELEMENTS COLLECTION: PENICHE
39°21'11"N 9°23'16"W
We make ceramics from song and the sounds from the world around us, then transform them into sculptural form through code and craft.
From Alcobaça, Portugal, one of the worlds historic ceramic centers, we are now leading the way in a whole new creative field.
